Fünf Wüstenlieder
(1999) (Five Desert Songs)In these five short pieces, each one blending into the next, the sound material of the cello is joined by that of two others: the cellist’s voice and a sizzle cymbal.
The tonal range of the cello, however, is strictly limited to a few chords, series and ‘patterns’, all of which are played con sordino.
The general mood of the piece is that of contemplation, like a conversation with oneself. Loops, circles and standstills extend the otherwise linear development of the music, while individual parts break away and begin to take their own path; fullness and emptiness alternate rapidly.
Thomas Tangler