Fine's 1950 trip to France opened his mind to unorthodox approaches to serialism. In 1952, he finished the two-movement String Quartet, his first work to use consistently a twelve tone technique -- though in a "frankly tonal" context, according to the composer. Dramatic and finely wrought, this work bears repeated listening. The first movement's lyricism and its subtle, gradual textural changes signal a departure from Fine's earlier neoclassicism. Echoes of Messiaen pervade the slow second movement, full of rich harmony, recitative like passages, evocations of bird song, and timeless, soaring lines.
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This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/McCord.