• Find us on Facebook
  • Follow us on Twitter
  • Follow us on Instagram
  • View Our YouTube Channel
  • Listen on Spotify
  • View our scores on nkoda

This work combines elements of the waning classical era and of early romanticism. Mass in C is generally more classically oriented; frequently making use of free counterpoint, canonic imitation and a stretto figure.

Vocal/piano score for treble voices in two parts (SS or TT) and piano reduction.


Stay updated on the latest composer news and publications