(Morgan) - Boosey Woodwind Method: Alto Saxophone (Keyboard Accompaniments Books 1 & 2) (Piano Accompaniment)
A major resource for individual and group woodwind and brass teaching. The Boosey Woodwind and Brass Method provides everything you need for teaching music through the instrument. Its unique approach develops general musical skills through a programme of quality solo and ensemble music, activities and audio performances, backing tracks and listening activities. And because the method is based on a clear curriculum it provides an easy to use system for teaching – plus all the flexible resources you need for every situation, whether individual, group or mixed instrument teaching.
Every book in THE BOOSEY WOODWIND AND BRASS METHOD contains:
*A wide variety of solo and ensemble music
*Flexible ensemble music - suitable for any number of players in mixed instrument groups
*Audio with performances, backing tracks and listening activities
*Feeling the rhythm activities
*Breathing exercises
*Musical activities - listen and respond, improvise and compose
Contents |
|
| A Groovy Kind of Love (Wine & Sager) | |
| A la claire fontaine | |
| A Sad Tale (Norton) | |
| Alla danza tedesca (Beethoven) | |
| Alligator Swamp (Marks) | |
| Another Way | |
| At Daybreak (Marks) | |
| Athol Highlanders' Jig | |
| Au clair de la lune | |
| Aura Lee | |
| Autumn (Vivaldi) | |
| Basilica (Barratt) | |
| Beach Hut (Norton) | |
| Beguine (Marks) | |
| Beguine Again (Marks) | |
| Bird Food (Norton) | |
| Bird of Paradise (Barratt) | |
| Bittersweet (Marks) | |
| Blue 4 U (Marks) | |
| Blue Tones for Barbara (York) | |
| Bourree (Handel) | |
| Cactus Tree | |
| Calypso Facto (Norton) | |
| Cantilena (Jenkins) | |
| Catch Your Breath (York) | |
| Centre Stage (Barratt) | |
| Charming (Norton) | |
| Chromatic Cheesecake (Marks) | |
| Clean Air (Marks) | |
| Club Soda (Norton) | |
| Colonel Bogey (Alford) | |
| Cool Time (Morgan) | |
| Cover Up (Norton) | |
| Crayfish (Norton) | |
| Dance of Displeasure | |
| Dance with Trumpets (York) | |
| David of the White Rock | |
| Dodi li | |
| Dona, dona | |
| Don't Wannabe (Norton) | |
| Dreamtime (York) | |
| Early One Morning | |
| Elegie (Barratt) | |
| Eriskay Love Lilt | |
| Estonian Round | |
| E-zy to Play | |
| Fanfare Time (Norton) | |
| Farewell to Stromness (Davies) | |
| Feeling Sunny (Norton) | |
| Fine Fun for Fanfare Fans (Marks) | |
| Flying Away (Marks) | |
| Fortune Cookies (Barratt) | |
| Galliard | |
| Ghana Allelulia | |
| Golden Sand (Norton) | |
| Good King Wenceslas | |
| Happy Daze (Marks) | |
| Helas Madame (arr. Barratt) | |
| Here on my Own | |
| Hero's Farewell | |
| High Hopes | |
| High Hopes (Morgan) | |
| Hine ma tov (Naplan) | |
| I Love my Love | |
| Icelandic Lulaby | |
| I'll Eat My Hat (Marks) | |
| I'll Set my Love to Music (Oliviero) | |
| Image (York & Marks) | |
| Imaginary Dancer (Morgan) | |
| In Paris (Norton) | |
| In the Street | |
| Italian Connection (Barratt) | |
| Jesu, Joy of Man's Desiring (Bach) | |
| Jewish Wedding Song | |
| Jingle Bells (Pierpont) | |
| Kalinka | |
| Kenya Melody (trans. Hugh) | |
| Kind of Lovely (Marks) | |
| Knights Templar March (Barratt) | |
| Kookaburra | |
| La la la koora (Jenkins) | |
| Land of the Silver Birch | |
| Lannigan's Ball | |
| Lazy Afternoon (Street) | |
| Les trois rois | |
| Level Headed (Norton) | |
| L'homme arme | |
| Lightly Row | |
| Londonderry Air | |
| Long Shadows (Marks) | |
| Lopsided (Marks) | |
| Lullaby for Lucy (Davies) | |
| Lullaby of Birdland (Weiss & Shearing) | |
| Mairi's Wedding | |
| Marcia di Camelo (Stadler) | |
| Mattachins | |
| Mayim! Mayim! | |
| Michael, Row the Boat Ashore | |
| Miles to Go (Norton) | |
| Miller's Crossing (Norton) | |
| Minuet (Bach) | |
| Minuet (Purcell) | |
| My Cavalier | |
| Nkosi Sikelel' iAfrika (Sontonga) | |
| Now the Day is Over | |
| Off the Rails (Norton) | |
| Old Joe Clark | |
| On the Spot | |
| On the Waves of Lake Balaton | |
| One Two Watch | |
| Over and Over Again | |
| Over the Moon (Marks) | |
| Pavan (Gervaise) | |
| Penguins on Toast | |
| Promenade (Harris) | |
| Promenade (Mussorgsky) | |
| Quirk (Barratt) | |
| Rags 'n' Bones (York) | |
| Rambling Man (Marks) | |
| Regretfully Yours (Norton) | |
| Russian Dance (arr. Barratt) | |
| Scarborough Fair | |
| Shore to Sea | |
| Sit up and Beg! (Barratt) | |
| Slalom | |
| Smooth Moves (Morgan) | |
| Spooky Route (Barratt) | |
| Spring (Vivaldi) | |
| Step by Step (Marks) | |
| Summer Song | |
| Swing Low, Sweet Chariot | |
| Tall Tale, Big Hat (Norton) | |
| The Cat (Prokofieff) | |
| The College Hornpipe | |
| The Entertainer (Joplin) | |
| The Girl I Left Behind Me | |
| The Humming Round (O'Hanrahan) | |
| The Irish Washerwoman | |
| The Parson's Farewell | |
| The Peacock Followed the Hen | |
| The Saxophone Rap (Marks) | |
| The Steam Boat | |
| The Windmills of your Mind (Legrand, Bergman) | |
| Theme from Sonata no. 12 (Mozart) | |
| This Way, That Way (Morgan) | |
| Tied up Tight (Marks) | |
| Tiger Leap (Marks) | |
| Time and Again (Morgan) | |
| Time Out, Time Off (Marks) | |
| Together | |
| Tragic Consequences (Norton) | |
| Troika (Prokofieff) | |
| Two-part Invention (Barratt) | |
| Upstairs, Downstairs (Marks) | |
| Viva la musica (Praetorius) | |
| Vocalise alla valse (York) | |
| Walking the Line (Marks) | |
| Wave Machine (Marks) | |
| Well, Did you ever? | |
| When the Saints Go Marching In | |
| While Shepherds Watched | |
| Woogie Boogie (Marks) | |
| Yankee Doodle | |
| Yellow Bird | |
| You and Me (Morgan) | |
| Your Shout! | |