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Short Biography:
London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians. In October 2020, AVIE Records released Mythologies, a portrait album featuring Clyne’s works recorded live by the BBC Symphony Orchestra.

Several upcoming projects explore Clyne’s fascination with visual arts, including Color Field for the Baltimore Symphony Orchestra, inspired by the artwork of Mark Rothko; Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as Woman Holding a Balance, a film collaboration with Orchestra of St. Luke's and artist Jyll Bradley (whom Clyne also teamed up with for the film, Pardes, commissioned by the Scottish Ensemble).

Other upcoming premieres include A Thousand Mornings for the Fidelio Trio; Fractured Time for the Kaleidoscope Ensemble; and Overflow for wind ensemble, inspired by the poetry of Emily Dickinson, composed for the Scottish Chamber Orchestra.

Clyne composed a trilogy of Beethoven-inspired works, which premiered in 2020 for Beethoven’s 250th anniversary: Stride for string orchestra, inspired by Beethoven's Sonata Pathétique, premiered by the Australian Composers Orchestra; Breathing Statues, premiered by the Calidore String Quartet; and Shorthand for solo cello and string quintet premiered by The Knights at Caramoor.

Other recent premieres include Sound and Fury, first performed by the Scottish Chamber Orchestra and Pekka Kuusisto in Edinburgh; and her Rumi-inspired cello concerto, DANCE, premiered with Inbal Segev at the Cabrillo Festival of Contemporary Music, led by Cristian Macelaru. DANCE was also recently recorded by Segev and the London Philharmonic Orchestra, led by Marin Alsop.

Clyne served as composer-in-residence for the Chicago Symphony Orchestra, Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, and Berkeley Symphony. She is currently the Scottish Chamber Orchestra’s Associate Composer through the 2021-2022 season and a mentor composer for Orchestra of St Luke's DeGaetano Composer Institute.

Clyne’s music is represented on the AVIE Records, Cantaloupe Music, Cedille, MajorWho Media, New Amsterdam, Resound, Tzadik, and VIA labels. Both Prince of Clouds and Night Ferry were nominated for 2015 GRAMMY Awards. Her music is published exclusively by Boosey & Hawkes. boosey.com/clyne

December 2020
This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.

Medium Biography:
London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians.

Several upcoming projects explore Clyne’s fascination with visual arts, including Color Field for the Baltimore Symphony Orchestra, inspired by the artwork of Mark Rothko; Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as Woman Holding a Balance, a film collaboration with Orchestra of St. Luke's and artist Jyll Bradley (whom Clyne also teamed up with for the film, Pardes, commissioned by the Scottish Ensemble).

Other upcoming premieres include A Thousand Mornings for the Fidelio Trio; Fractured Time for the Kaleidoscope Ensemble; and Overflow for wind ensemble, inspired by the poetry of Emily Dickinson, composed for the Scottish Chamber Orchestra.

In October 2020, AVIE Records released Mythologies, a portrait album featuring Clyne's works Masquerade, This Midnight Hour, The Seamstress, Night Ferry, and <<rewind<<, recorded live by the BBC Symphony Orchestra with soloists Jennifer Koh and Irene Buckley and conductors Marin Alsop, Sakari Oramo, Andrew Litton, and André de Ridder. Alsop, a longtime champion of Clyne’s work, praised her, stating: “Anna Clyne is someone I look to for great music. It’s always emotional and driven by her heart, but skillfully composed.”

Clyne composed a trilogy of Beethoven-inspired works, which premiered in 2020 for Beethoven’s 250th anniversary: Stride for string orchestra, inspired by Beethoven's Sonata Pathétique, premiered by the Australian Composers Orchestra; Breathing Statues, premiered by the Calidore String Quartet; and Shorthand for solo cello and string quintet premiered by The Knights at Caramoor and in a version for cello and string orchestra by the Orlando Philharmonic Orchestra.

Other recent premieres include Sound and Fury, first performed by the Scottish Chamber Orchestra and Pekka Kuusisto in Edinburgh; and her Rumi-inspired cello concerto, DANCE, premiered with Inbal Segev at the Cabrillo Festival of Contemporary Music, led by Cristian Macelaru. DANCE was also recently recorded by Segev and the London Philharmonic Orchestra, led by Marin Alsop.

In July 2019, Clyne wrote and arranged music from Nico’s Marble Index for The Nico Project, a theatrical work presented by the Manchester International Festival. Clyne has been commissioned by such renowned organizations as Carnegie Hall, Houston Ballet, the Los Angeles Philharmonic, and the Southbank Centre.

From 2010–2015, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra. Music Director Riccardo Muti lauded Clyne as “an artist who writes from the heart, who defies categorization, and who reaches across all barriers and boundaries. Her compositions are meant to be played by great musicians and heard by enthusiastic audiences no matter what their background.” She has also been in residence with the Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, Cabrillo Festival of Contemporary Music, and Berkeley Symphony. Clyne serves as the mentor composer for the Orchestra of St Luke's DeGaetano Composer Institute. Clyne is currently serving as Associate Composer with the Scottish Chamber Orchestra, a three-year residency lasting through the 2021-2022 season. The residency includes plans for a series of new works commissioned over three years.

Clyne’s music is represented on AVIE Records, Cantaloupe Music, Cedille, MajorWho Media, New Amsterdam, Resound, Tzadik, and VIA labels. Her Prince of Clouds was nominated for a 2015 GRAMMY Award for Best Classical Composition and Night Ferry was nominated the same year for Best Engineered Album (Classical). Clyne's music is published exclusively by Boosey & Hawkes. boosey.com/clyne

December 2020
This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.

Long Biography:
London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians.

Clyne has been commissioned by a wide range of ensembles and institutions, including BBC Radio 3, BBC Scottish Symphony, Britten Sinfonia, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre. Her work has been championed by such world-renowned conductors as Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, André de Ridder, Esa-Pekka Salonen, Osmo Vänskä, and Marin Alsop, who praised Clyne, stating: “Anna Clyne is someone I look to for great music. It’s always emotional and driven by her heart, but skillfully composed.”

From 2010–2015, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra. Music Director Riccardo Muti lauded Clyne as “an artist who writes from the heart, who defies categorization, and who reaches across all barriers and boundaries. Her compositions are meant to be played by great musicians and heard by enthusiastic audiences no matter what their background.” She has also been in residence with the Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, Cabrillo Festival of Contemporary Music, Berkeley Symphony, and National Sawdust. Clyne serves as the mentor composer for the Orchestra of St Luke's DeGaetano Composer Institute. Clyne is currently serving a three-year residency as Associate Composer with the Scottish Chamber Orchestra, through the 2020-2021 season. The residency includes plans for a series of new works commissioned over three years.

Several upcoming projects explore Clyne’s fascination with visual arts, including Color Field for the Baltimore Symphony Orchestra, inspired by the artwork of Mark Rothko; Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as Woman Holding a Balance, a film collaboration with Orchestra of St. Luke's and artist Jyll Bradley (whom Clyne also teamed up with for the film, Pardes, commissioned by the Scottish Ensemble).

Other upcoming premieres include A Thousand Mornings for the Fidelio Trio; Fractured Time for the Kaleidoscope Ensemble; and Overflow for wind ensemble, inspired by the poetry of Emily Dickinson, composed for the Scottish Chamber Orchestra.

Clyne composed a trilogy of Beethoven-inspired works, which premiered in 2020 for Beethoven’s 250th anniversary: Stride for string orchestra, inspired by Beethoven's Sonata Pathétique, premiered by the Australian Composers Orchestra; Breathing Statues, premiered by the Calidore String Quartet; and Shorthand for solo cello and string quintet premiered by The Knights at Caramoor and in a version for cello and string orchestra by the Orlando Philharmonic Orchestra.

Other recent premieres include Sound and Fury, first performed by the Scottish Chamber Orchestra and Pekka Kuusisto in Edinburgh; and her Rumi-inspired cello concerto, DANCE, premiered with Inbal Segev at the Cabrillo Festival of Contemporary Music, led by Cristian Macelaru. DANCE was also recently recorded by Segev and the London Philharmonic Orchestra, led by Marin Alsop.

Clyne is the recipient of the 2016 Hindemith Prize; a Charles Ives Fellowship from the American Academy of Arts and Letters; awards from Meet the Composer, the American Music Center, the Foundation for Contemporary Arts, and the Jerome Foundation; and prizes from ASCAP and SEAMUS. She was nominated for the 2014 Times Breakthrough Award (UK).

Clyne’s music is represented on AVIE Records, Cantaloupe Music, Cedille, MajorWho Media, New Amsterdam, Resound, Tzadik, and VIA labels. In October 2020, AVIE Records released Clyne's Mythologies, a portrait album featuring the works Masquerade, This Midnight Hour, The Seamstress, Night Ferry, and <<rewind<<, recorded live by the BBC Symphony Orchestra with soloists Jennifer Koh and Irene Buckley and conductors Marin Alsop, Sakari Oramo, Andrew Litton, and André de Ridder. Recent releases include DANCE featuring Inbal Segev, Marin Alsop, and the London Philharmonic; The Violin, an album of her works for multi-tracked violins with animations by artist Josh Dorman; Blue Moth, an album of her instrumental music for ensemble and tape; Night Ferry with the Chicago Symphony Orchestra and Riccardo Muti; and Prince of Clouds featuring Jennifer Koh and Jaime Laredo with the Curtis Chamber Orchestra on Cedille Records. Prince of Clouds was nominated for a 2015 GRAMMY Award for Best Classical Composition and Night Ferry was nominated the same year for Best Engineered Album (Classical).

Clyne's music is published exclusively by Boosey & Hawkes. boosey.com/clyne

December 2020
This biography can be reproduced free of charge in concert programs with the following credit: Reprinted by kind permission of Boosey & Hawkes.

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