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Music Text

Libretto by Helmut Oehring and Iris ter Schiphorst, after the novel by Theodor Fontane (G)

Scoring

deaf soloist (female), voice, male soprano, female speaker;
solo trp-3cl-2tpt-perc(2)-acc-pft(=sampler kbd)-elec.gtr-elec.bass gtr-2vlc.3db-live electronics

Abbreviations (PDF)

Opera
For full details on this stagework, including synopsis and roles, please visit our Opera section.
Publisher

Bote & Bock

Territory
This work is available from Boosey & Hawkes for the world.

Availability

World Premiere
09/03/2001
Kunsthalle, Bonn
Christina Schönfeld / Salome Kammer / Arno Raunig / Ingrid Caven / Jörg Wilkendorf / Ulrike Ottinger, dir / Ensemble musikFabrik NRW / Wolfgang Ott
Press Quotes

"The famous story of the noble daughter who is married and has a lover does not happen for the first time in the Briest family. Hardly accidentally, the introductory scene makes it clear that the daughter is going to be married to the former adorer of her mother, Baron von Instetten for the purpose of social advance. The hopes of both fail, the mother wastes away, Instetten advances, Effi dies from unloving coldness. Thus a female fate is passed on from one generation to the next.

In order to recount this in a more general way, the two authors deliberately separate role and text. The theatre of voices is underlined with acoustic sounds which, rather than a drama, create a mood, an atmosphere. The instruments, which combine an ensemble of new music with rock guitar, accordion and big-band, are marked by a sense of reduction. Sounds, often pianissimo, appear dampened, tending towards polluted noise. To this are added radio signals, hissing noises and voices as if from a film, their flatness suggesting emptiness and loss of perspective."
(Frank Kämpfer, NZfM, 3/2001)

"genuine theatre music which paints states of with a variety of shades."
(Stefan Keim, Die Welt, 13.03.2001)

Subjects
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