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Music Text

Michael Leunig (E); sound design by Paul Healy

Scoring

perc(2):I=susp.cym/tam-t/vib/timp/hi-hat/SD/tom-t/chin.cym/crot/xyl/pedal BD/tamb/bongos; II=glsp/t.bells/crot-2harp-strings-prerecorded CD-sampler

Abbreviations (PDF)

Publisher

Bote & Bock

Territory
This work is available from Boosey & Hawkes for the world.

Availability

World Premiere
07/07/2001
Concert Hall, Melbourne, VIC
Gondwana Voices, Australian Chamber Orchestra / Lyn Williams
Composer's Notes

Bell and Anti-Bell was commissioned as part of the Australian Chamber Orchestra's collaborative project "Parables, Lullabies and Secrets" for a national tour in July 2001. "Parables" involves contributions from 4 composers, a singer-songwriter and a sound designer with texts by the iconic Australian cartoonist-philosopher Michael Leunig. My composition Bell and Anti-Bell is the longest section from this ambitious joint venture and deals with the modern dilemma of increased automation and lack of personal contact in the guise of a pre-recorded, corporate telephone-answering service. For Leunig, the concept of being asked to "please hold, until an operator can assist you" takes on humorous, yet dark and philosophical dimensions (as Leunig himself describes it, a descent into madness and emotional mess). This is further emphasised by its juxtapositioning alongside an ironically placed hymn to truth and beauty entitled "Sweet Secret Peace" sung by the children's choir. This initially seems to be guiding us into more spiritual and ennobling waters ("real and right and true, how beautiful are you…") but eventually reveals itself to be nothing more than one of the machine's more elaborate holding patterns. Eventually the voice itself loses it's hold, and begins to question itself and everything around it.

Bell and Anti-Bell is scored for children's choir, a chamber orchestra of strings, 2 harps and percussion, sampler and pre-recorded tape (on CD). Further instructions for an enhanced sound design element are optional.


© Brett Dean


Reproduction Rights

This programme note can be reproduced free of charge in concert programmes with a credit to the composer

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