Boosey & Hawkes
Benjamin Lees <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p>
Tapestry (flute, Bb clarinet, cello, piano)<o:p></o:p>
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Program note by the composer<o:p></o:p>
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This work was commissioned by Pacific Serenades and written during the<o:p></o:p>
summer and autumn of 2003. Since every composition has inherent problems of<o:p></o:p>
one kind or another, the one posed here was a question of balance. A flute<o:p></o:p>
and clarinet form a natural combination, and the addition of a piano is an<o:p></o:p>
enhancement. On the other hand, a cello and piano must be approached with<o:p></o:p>
great care, what with overtones running rampant. And the addition of the<o:p></o:p>
cello to the three instruments is a challenge. In this instance it was a<o:p></o:p>
challenge I accepted with pleasure.<o:p></o:p>
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The piece itself is in one movement and forms a continuous flow. The opening<o:p></o:p>
statement by the flute, accompanied by the cello, is long and sinewy. The<o:p></o:p>
statement is next taken up by the piano, again accompanied by the cello.<o:p></o:p>
What follows are arpeggiated figures and developments of the original idea.<o:p></o:p>
From that point on, what transpires throughout the entire work is a series<o:p></o:p>
of musical cells, or cameos, from arpeggiated figures taken up by one<o:p></o:p>
instrument and answered by another, to repeated notes, triplet figures and<o:p></o:p>
the like darting in and out in rapid succession. Meters are constantly<o:p></o:p>
shifting, adding to the sense of flow.<o:p></o:p>
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The work ends with powerful chords in the piano and cello being answered by<o:p></o:p>
the flute and clarinet with all four instruments joining in a heavily accented finale.<o:p></o:p>
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The title Tapestry seemed apt, for just as a hanging tapestry consists of a<o:p></o:p>
myriad of ideas all forming a cohesive whole, this work also consists of<o:p></o:p>
many small subjects that contribute to the overall texture.<o:p></o:p>
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